By the late 1950s, a younger generation felt that the strict, objective realism of Domon and Kimura was no longer sufficient to capture the surreal complexity of a rapidly transforming, Americanizing Japan. This led to the formation of the short-lived but highly influential photographer’s collective (1959–1961), which included luminaries such as Shomei Tomatsu, Eikoh Hosoe, Ikko Narahara, and Kikuji Kawada.
"Setting sun writings" are thus the most honest form of Japanese photography. They admit that light is temporary, that beauty is always observed at the moment of its vanishing, and that the best photograph is the one you take a moment too late, when the sun has already slipped below the edge of the world, leaving only the writing—the memory—behind. setting sun writings by japanese photographers
In his book Time Exposed and his collection of essays Utsutsu na Zō (Visual Illusions), Sugimoto writes about photography as a time machine. By the late 1950s, a younger generation felt
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